Eliza Carthy's Dirty Dreams

Tuesday, July 08 2008 @ 11:02 AM BST

Contributed by: Dan

In a 15 year career, Eliza Carthy has worked with the likes of Paul Weller, Joan Baez and Nick Cave. The daughter of folk legends Norma Waterson and Martin Carthy, she's undoubtedly a folk superstar � with seven BBC Folk Awards under her belt already. But she's twice been nominated for the Mercury Music Prize without winning, and has never quite achieved mainstream success.

'Dreams of Breathing Underwater' might win her that missing Mercury Prize, and might just see her crack the mainstream too.

It's a staggering work � easily the best in her long career.

It starts with a dirty, electric blues guitar line that's shorthand (since Bob Dylan's legendary electric concerts) for 'I'm more than just a folk musician'.

It continues to break the rules, but there are a handful of fairly straight folk numbers. 'Two Tears' is a gentle acoustic number, but even this is full of big flourishes and dramatic soundscapes. 'Rosalie' is a standout, a swaying folk song with an epic chorus and a dirty lyric, 'never accused of good poise, she loved drinking beer with the boys'. Drink, it has to be said, is a recurring theme here.

Placed at the start of the second half of the album,'Mr Magnifico' is the centrepiece of 'Dreams of Breathing Underwater'. Starting with a laid-back, salsa-ish beat it's a spoken word piece, about the eponymous hero and � again - his love of the finer things in life. It reaches a magnificent conclusion and it's from here on that the album really flies.

'Little Bigman' is a swaggering sea-shanty, 'Hug You Like A Mountain' is almost lo-fi electronica with an anthemic chorus, and 'Oranges and Seasalt' a big-band showtune to bring the album to an end. It's another drinking song, about 'drinking hopeless drinks at hopeless times'.

It's only when it's ended that you realise just how good this album is, and that you've just enjoyed a classic album like The Small Faces 'Ogdens Nut Gone Flake' or The Kinks 'Village Green Preservation Society'. Eliza Carthy has finally lived up to her promise, and recorded a great English album.

Originally written for the Revolutionary Music column in the Weekend Guardian, published every Friday and available from shops and cafes across West Sussex.

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